Let’s face it, just about anything with Bill Nighy (Emma.) is worth watching just for him. Often it is only a taste of Nighy as a smaller side character. But in this film he and Sam Riley (Radioactive) share this story of family and survivorship. Both men play against their typical type, though Riley is a bit more consistent at it; Nighy’s accent kept slipping. However, both provide endearing and riveting performances as they verbally spar and converse.
The cast is also gifted with Jenny Agutter (Call the Midwife) and Alice Lowe (Black Mirror: Bandersnatch) who swirl around the two men with funny and poignant moments. Neither is given full rein, but both have impact and are part of why the film works so well. Even the young Louis Healy helps fill out the film nicely with minimal time.
As a first feature, Carl Hunter directs the tale with a confident hand and a delightfully playful vision. Despite the intense emotions of the story in Frank Cottrell Boyce’s (Goodbye Christopher Robin) script, Hunter keeps it all quietly real and funny. Also, the design of the film is breathtaking, from the wide vistas, to the distortion from the lenses, to the odd greenscreen and paper puppetry, it’s a unique combination of visuals that serve to amplify the story. Even the color pallet is retimed in order to make it, to put it mildly, bilious.
I didn’t know what to expect going into this story, and that was fine. I’d suggest you do the same. Go for the comedy and the sweet sense of family it creates. Stay for the performances, message, and the wonderfully odd presentation; but make time for this.