After Avengers: Endgame, we needed tale to help wrap up the fallout of the decades-long saga. In the past Ant-Man’s filled that role as a lighter coda to more intense events. But for the official end of Phase 3, we have the sequel to the relaunch of Spider-Man.
From the moment it opens with its first musical salvo, you begin to understand just how much the MCU is worth…and then the tone is quickly set as heavily tongue-in-cheek. Tom Holland (Spider-Man: Homecoming) returns as the affable, geeky, and not a little gawky teen. This story is, or should be, about him growing up, not to mention getting his feet back under him after losing his second (third?) father-figure and returning from the “blip.” (We won’t touch on the convenience that all the characters we knew around him from the previous story all blipped as well.)
What we get, instead, is a summer romp with a slightly dark edge. It has great moments, but doesn’t really pull together as a great movie, but I’ll get to that. Zendaya (Smallfoot), Marisa Tomei (Happy Accidents), and Jon Favreau (Solo: A Star Wars Story) are all back in the primary pivotal roles in Peter Parker’s life, not to mention as his private army of Deus Ex Machina.
Helping it along, Jacob Batalon and Angourie Rice (The Beguiled) return as comic relief along with Toni Revolori (Dope). The filmmakers still don’t know quite what to do with Revolori other than to use him as a convenient punching bag or plot point, as needed, but he gives it his all.
The biggest new addition to the story is Jake Gyllenhaal (Velvet Buzzsaw). Gyllenhaal is a solid fit for half the film…and then his performance goes a little wrong. And this is where the movie truly begins to falter, for all its clever plotting and ideas.
But to put this all in perspective, you have to remember that this isn’t really a Marvel outing; it’s a Sony/Marvel arrangement. And Sony, as feared when the contracts were struck, has started to take more control of the stories (at least that is my sense of it all). With the previous success of Homecoming and Venom, they feel they’ve got a handle on how to rebuild the franchise. They don’t.
[Update 27 September 2019: Crisis averted for at least one more film: https://deadline.com/2019/09/sony-walt-disneys-marvel-team-on-third-spider-man-homecoming-title-with-superhero-to-appear-in-future-marvel-pics-1202746497/)
Even though Jon Watts returned as director for this amusingly imperfect romp, and writing duo Chris McKenna and Erik Sommers, fresh off Ant-Man and the Wasp and Jumanji, returned to write it, it felt rushed to screen and without an anchor to the 23 films around it except in the thinnest and most obvious of ways. It isn’t another Iron Man 2, but it also isn’t quite worthy of the Marvel logo. Ultimately, they didn’t quite know how to build on their world and into the Marvel universe this time even with the help of Samuel L. Jackson (Captain Marvel) and Cobie Smulders (Jack Reacher: Never Go Back). It is a little too easy, a little too surfacey, a little too devoid of consequences. Basically, it has no real heart, only a facsimile of one. As a coda, it is allowed to be more of an after-dinner treat, but there were serious themes that needed addressing. Of course, there also isn’t an explicit Phase 4 for them to plug into, which limited their opportunities for a lift from the greater net of the MCU.
The technical aspects of the film were also a little off from previous Marvel offerings. The IMAX was good, but the 3D was underwhelming and unnecessary, barely used to any impact. Even the special effects were, at times, pretty weak. Basically, after Endgame, I’d have expected more.
Do be warned, stay through the end of the credits. There are two tags to this story and both are essential. So don’t walk out before it is all done, however tempted you may be during the 14 minute roll. It gives us a hint of what’s to come, but I can’t say they were as encouraging as that first tag at the end of Iron Man for bringing us along into a new future. All it appears we have to look forward to is a loosely associated set of sequels and prequels with no overriding intelligence holding it together. That doesn’t mean there won’t be bright moments ahead, but it may be a long while before anyone tries to replicate the scope of the MCU Phases 1-3.