Spinning Man

[3 stars}

Mysteries are wonderful things and difficult to do right. This particular mystery is playing in some very high-brow territory; it is an academic’s nightmare, a philosopher’s quagmire, and an intellectual’s mind game. Simon Kaijser (Life in Squares, Don’t Ever Wipe Tears Without Gloves) directs us through a mutable landscape without ever once clarifying, but never cheating us either. And worth noting is one of the most beautiful mirror shots (at  little over an hour in) I’ve ever noticed; it is totally self-conscious and totally appropriate. Matthew Aldrich’s (Coco) script is also equal to the task, keeping the dialogue decidedly collegiate but understandable and not condescending.

The cast is solid, but unexpected. Many of them are not American, despite the very midwest, Minnesota setting and present an odd assortment of characters. In the main roles, Guy Pearce (Genius), Minnie Driver (Hunky Dory), and Pierce Brosnan (The Foreigner, Mama Mia!) bring the full force of their charisma and screen power. They all also struggle with their accents at one time or another, Brosnan more than most. In the supporting roles, Alexandra Shipp (Tragedy Girls) and Odeya Rush (Lady Bird) lend a disturbing frisson to it all. And, while not a ground-breaking role for him, the appearance of Clark Gregg (Labor Day) was a fun treat.

Yes, this is a cerebral movie, and not for the feint of heart if you don’t want to think. So you have to ask yourself if you’re interested in something a bit more interactive than your typical movie before you sit down with this one. It is worth your time, despite any weaknesses. It is full of subtleties and, if you’ve ever hung out with the academic set, some very recognizable characters, interactions, and moments.

Spinning Man

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