This is a decidedly low-budget affair with moments of brilliance amidst a lot of mediocre and painful presentation. But those moments really do make the time worthwhile, as numerous festivals and the Oscars agreed.
Jorge Perugorría and Vladimir Cruz make an unlikely pairing of friends from opposite sides of the political spectrum. Cruz is a true believer in the Communist party in Cuba, while Perugorría is a bit more aware of the realities of life and politics…not to mention a gay man in a macho society. With a bit of help from the neighbor, Mirta Ibarra, the three become friends and help one another heal.
The story that plays out is more than a little forced, but the commentary and emotions that are surfaced are as applicable today as they were over 20 years ago when this film was made. The relationships that form are genuine, even if the ages of the actors and backstories for the characters are a little off. As a peek inside Cuban culture, and loving look at people generally, it is a funny and heartwarming journey as director Tomás Gutiérrez Alea’s penultimate contribution to film.