The first three-quarters of this limited series are both intriguing and engaging. We are introduced to a complex group of people in an intriguing historical period and provided just enough plot to keep us wondering where the heck things are going to go. And then it takes a turn. It is a fair turn in retrospect, but the resolution and motivations are, at best, forced.
Despite the sort of non-ending provided, the rest of the ride is actually interesting and the cast is chock full of solid performers. Among them is Keeley Hawes (Mrs. Wilson) who appears to be in just about every BBC show these days. But the tale revolves more around Toby Stephens’ (Vexed, Lost in Space) Petrukhin, a Russian-Jewish inventor trying to make a place for himself and his family in 1950s British society. A far from easy task.
Along with Linus Roache (Mandy), Lucy Cohu (Ripper Street), Mark Bonnar (Shetland), Timothy Spall (Finding Your Feet), Claire Bloom, as well as a nice Sophomore turn for Lily Sacofsky (Bancroft) and freshman outing for Rose Ayling-Ellis, we get a look at many facets of British life, fears, and prejudices of the era. While not ground- breaking, putting a rising Jewish family at the center of the story provides a lens that we haven’t often seen through in these stories.
Whether the plot feels fair and complete to you I imagine will be a matter of expectation. I suggest you just roll with it. This starts as an intimate story and ends the same. But it certainly has a lot of meat in the middle to work with and keep you wondering and wanting more.