If you’d passed me a description of this show (which is essentially Ghostbusters meets any of a dozen house-flippers shows) I’d have laughed it off as a joke. As it turns out, George Olson’s creation for SyFy actually has some solid legs. It isn’t perfect, but there are interesting characters, some longer arcs, and snappy writing.
Like most good shows, a lot of the success comes down to the chemistry of the actors. From the outset, the cast feels like they belong together. And even when Sarah Levy (Schitt’s Creek) joins them in the first episode, providing us a way into their world, she fits in with the energy and style perfectly.
The stories are often rushed, but rarely entirely straight-forward. Tim Rozon (Wynonna Earp), at the agency’s helm, manages a massive transformation from his Schitt’s Creek days. But, more importantly, he makes sullen and broken work. He carries a real sense of history with him about his life and his agency. And that agency is filled out with a bevy of odd misfits. From Savannah Basley (Wynonna Earp) on the front desk to Maurice Dean Wint (Hedvig and the Angry Inch, Cube) and Adam Korson (Female Brain) working the tech and research. Each carrying their own baggage. With Tennille Read (and yes, she also did Schitt’s) providing an ongoing relationship and anchor for Rozon, the gang tackle (house)monsters-of-the-week that all add up to a larger truth.
You may have noticed some crossover in background in the cast (also true on the writing and directing). I’d love to find out who brought who in from where at some point, but it definitely illustrates the size of the Canadian acting community.
You may have passed on this show initially based on its odd description. If you have, go back to it. It has humor and horror, and, most importantly, characters worth investing in. Hopefully they can secure and pull off a second series, but that decision hasn’t been made yet.