While this flick starts off with an interesting premise, it quickly slides into vague mediocrity. It is a shame since the cast is really pretty solid. Ansel Elgort (Baby Driver) and Chloë Grace Moretz (The Equalizer) work well together, and David Strathairn (The Darkest Hour) and Catherine Keener (Get Out), as their respective parents, deliver too. Even the ideas, as it heads down a Vanishing sort of path, is full of possibilities.
However, the adaptation from director and co-writer Sacha Gervasi (Hitchcock) is overly compressed. All the interesting stuff that is hinted at bleeds out to the point that even the title is never explained (I had to look it up to figure it out–turns out Elgort’s character in the book loved dark, Nazi-tinged humor; the term refers to those that involved with the Versailles Treaty at the end of WWI which led to the Weimar Replublik and the rise of the jackbooted fiends). Even after learning the roots of the title, I can’t map it to the actions in the movie, which implies strongly that it failed. I imagine the title was kept only to try and draw in the book audience, even though much of the book’s core had been scrubbed out.
The overall movie holds together, in a sort of light way, but there was clearly a lot more there when it started. The locations were a lousy choice as well; trying to pretend Rhode Island is Washington DC was a deadly stretch. In the end, it feels like Gervasi ran out of shooting time and made of it what he could.
As a high school romance, with a bit of life thrown in, I suppose it could be diverting for some. For the rest, I’d say just skip it. All of these actors have better venues to be seen in and you have better ways to spend your time.