I’m not entirely sure where to begin with this powerful piece. Perhaps the right way is with the director, which is counter-intuitive, but the result of this movie is directly related to Wim Wenders’ (Pina) involvement.
Making a film about a photographer is fraught with issues. A medium of moving pictures trying to elicit an understanding of a medium that relies on single, frozen moments is practically at odds from the start. Wenders, who narrates a large part of the film, comments on that in a way at the top of this documentary. But Wenders was a perfect choice as a man who could take this story and make the film feel like a Salgado photo from beginning to end. He captured the sense, sensibility, and framing of the great photographer’s works and filmed Salgado commenting on his photos while looking at them. The overall feel is often like an intimate, private show.
Tackling this subject also meant finding the story of Salgado’s life, the narrative by which Wenders captures your imagination and exposes the root of the art. He went with the title as it is now, but it could also have been “The Life, and Death, and Life of Sebastião Salgado” given the shape of his life and tale. Salgado has led a fascinating life both in deeds and trajectory. His story is as inspiring as his art, not only for its unlikely path but also for its intensity and dedication to the purpose and result. To discuss it would be to rob you of the journey and revelations, so I won’t.
I discovered Wim Wenders as a narrative filmmaker. His power, however, as a documentarian is proving to be equally or more emotionally and artistically impactful for me. He embraces his subjects and holds them close, for years in some cases, before embarking on trying to tell their story in the right way. This movie is no exception and the result is something that has to be seen.