The stories we tell don’t change over time, but how we tell them does. And to that point, David Freyne (The Cured) has delivered not so much new ground in this coming-of-age tale, as a new approach. And that makes all the difference.
Fionn O’Shea (Normal People) and Lola Petticrew (A Bump Along the Way) take us through their last year of secondary school which includes personal revelations, experiments, and, eventually, acceptances. Unexpectedly, while told primarily through the scared and challenged O’Shea, Petticrew tends to dominate the screen when she is there. Part of that is the characters, but she also fairly glows with charisma and energy in a way that O’Shea just can’t touch despite his acting chops.
While the two teens dominate the film, there are several smaller performances with depth and impact. Sharon Horgan (Military Wives) has a subtle job as O’Shea’s mother navigating her stressed marriage to Barry Ward (The Fall) and her struggling children. Simone Kirby (Jimmy’s Hall) has a similar challenge as Petticrew’s mother. And, as a bit of running comic relief, Ian O’Reilly (Moone Boy) has some wonderful moments and solid timing.
While set in 1995, this story still applies today because teens have always struggled with accepting themselves and being accepted for who they are. Petticrew and O’Shea tackle their stories with heart and honesty while avoiding most of the ugly that it sometimes causes. But the movie is intended to be on the lighter side, with plenty of warm and funny moments and with an inexorable drive toward joy, however bumpy the road.
You’re probably thinking you don’t need another coming-of-age story, but make time for it. You won’t be disappointed in the film and watching Freyne develop his cinema voice is an extra benefit.