Magic tricks are based on misdirection through visual distraction and patter. This eighth installment of the F&F franchise is a beautiful magic trick. While it is better than the previous couple of releases, it isn’t a great movie. But thanks to the application of the tenants of magic, it is entertaining and holds together more than what has come before.
When the series took a left turn in the sixth release from racing films to caper films, it revitalized the storyline and introduced new characters to expand the viewpoints and chances for comedy. Then came Furious 7, which was huge in stunts, but thin in story to the point of frustration for me (even with the Paul Walker reality in the background).
Fate takes the series to a new level. Don’t misunderstand me, Chris Morgan’s (47 Ronin) script is still full of holes and over-simplicities. So many and so obvious I had to pause the film to point out aspects a few times because I just couldn’t contain myself. But, that is where the magic comment comes in. The action is huge. Every time you see a hole, suddenly there is some eye candy to distract you from thinking about it or some clever dialogue to engage you so you let it slip by. F. Gary Gray’s (Straight Outta Compton) direction is responsible for that pace and success, and it is no easy feat.
But it wasn’t just the pacing that mattered. Bringing the story back to Vin Diesel’s (xXx: Return of Xander Cage) Dom recentered the movie. The level of tension and the opportunity for reversals keeps the film tight. OK, some of Dom’s story is forced to heck, but he plays it well and, again, Gray’s pacing keeps it rolling along nicely.
Where, I think, the movie made its best choices, however, was in some of the non-core cast members. Charlize Theron (The Huntsman: Winter’s War) as the villain was a brilliant choice. She plays a wonderfully chilling and believable sociopath, never once giving in to cliche scene chewing, which kept the movie on an even keel. And the return of Kurt Russell (Guardians of the Galaxy, Vol 2.) also contributed to keeping the movie afloat, though in his case through dry, well-delivered humor. His protege, played by Scott Eastwood (Suicide Squad), however, was just a cutout, broad comedy character.
I don’t know where they go from here. Topping these latest stunts is going to be very hard. At some point, they are going to have to pull it all back to the simplicity of the first film or risk getting so absurd thta it crosses into comedy rather than staying exciting. The franchise has been managed very well, despite the weak scripts, so I’m sure they’re aware of the issue. Of course, when you make a $1B/film you kinda get to do whatever the heck you want. But I will admit, this movie was way better than I expected it to be…I’m almost sorry I didn’t see it sooner.