Like Cutie and the Boxer, this is a documentary about art, but it is much more about the politics of art and the artist’s life. Kusama has had a fascinating and challenging life. All of which has led to her impetus for creation, but not necessarily a penchant for happiness. She is also probably one of the more important artists of the modern movement that you may not have heard of, or at the least, understood her place in art history. (I know I didn’t before seeing this portrait of her life.)
Kusama’s art is challenging and, often as not, may leave you scratching your head. But the results of her efforts and ideas had profound impact on art you do know. I imagine that is a large part of why Heather Lenz was drawn to this story as her first directing feature. It is epic in scope and also a disturbing example sexism and racism, and it is has demonstrable historical importance. Though, it should be noted that that Kusama is still alive and producing and having sell-out shows around the globe.
As a movie, it is oddly constructed, but it also didn’t have an obvious path for the telling. Lenz jumps back and forth in Kusama’s life to provide context and a sense of her influences. It makes for some jarring moments, but told purely chronologically it would have been less interesting. Given Kusama’s art, the more gestalt approach to her story is probably appropriate. And, at less than 90 minutes, it isn’t a large investment for a glimpse inside an fascinating mind and a clearer understanding of many aspects of the modern art movement.