Well, this is no Big Short, but it tries hard to make an audacious effort interesting through the personal journeys around it. Unfortunately, writer/director Kim Nguyen (Bellevue) never quite gets us to buy into that effort, nor the people, enough to invest in the human aspect of the story. And neither does the overall metaphor really drive the experience. But, just in case you missed it, he drives it all home in the end to be sure you got the message.
Jesse Eisenberg (Cafe Society) top-lines and drives the movie’s plot, but it’s Alexander Skarsgård (The Aftermath) who runs away with this movie. It is an unusual role for him in many ways…not the least of it being his partially shaved head. I must admit this last aspect was incredibly distracting for me because it was so out of place for the actor I recognized. However, his performance was solid and complex.
Salma Hayek (How to be a Latin Lover) was also interesting in a supporting role, but I could never decide if I believed her or not. The world of Finance exposed in the story is specific and rarefied. Many of the choices around her were good, but there was something lacking either in the story or her performance to completely sell it for me. The movie didn’t grab me enough to make me dig too deeply into that lack to better define it. Michael Mando (Spider-Man: Homecoming), on the other hand, brought in a completely believable engineer and crew chief. He had the most thankless of the parts in the cast, but is very much the glue that holds it all together.
The bones of the plot are based on very real challenges and fights that continue to go on in the trading world. And while it affects everyone, nearly no one is aware or wants to be aware. On Nguyen’s side, I think that’s why he took this niche aspect as a wedge to a bigger truth in today’s society. He just doesn’t manage to balance it all to permit both aspects to come through with impact.