Documentarians create films to expose truths, answer questions, and to understand the world. Lately, a number of these began as attempts to understand their own families, but exposed even broader and more universal stories than they originally imagined. Stories We Tell comes to mind, or Circus of Books.
Such is the case here for Vea Mafile’o. This story, inspired by her desire to understand her, if not estranged, certainly distant father and his actions, becomes a fascinating look at Tongan culture and church. As a window into both, it becomes a compelling story for those of us watching. This isn’t a society that is often depicted, even if there are many universals in the details as it unfolds. The story emerges despite some challenging choices in how it is put together, but it does still emerge. As an initial feature for both Mafile’o and co-director Jeremiah Tauamiti, their willingness to be honest and non-judgemental shows some solid promise for their projects ahead.
This is also an opportunity to see an outfit committed to capturing and promoting the Pacific islander life from the inside. In an age where society is trying to become so much more woke, outfits like Mafile’o’s Malosi Pictures and her colleagues are indispensable. For that matter, just capturing and preserving the current cultures of the area as we homogenize is just as important.