Jessica Jones [3.5 stars]
The second series of this dark, intense drama delves into Jessica’s origins and the continued fallout from the first season. It is also dominated by female writers and directors. There is a dark beauty to this series…even when it is formulaic it delivers with a punch and enough emotion to let you go with it. By the end of the series all the characters are somewhere new, setting us up for an intriguing set of confrontations to come. That said, some of the writing was more forced than the first series. And Rachael Taylor, in particular, seems to dissolve in weird ways. On the other hand, Eka Darville and Carrie-Anne Moss really come into their own this season. Darville with a cleaned-up act and growing maturity (if also sleight stupidity) and Moss with some actual human stuff to tackle. And, of course, Janet McTeer bashes her way through as the overcharged Frankenstein’s monster she has become wonderfully. Amidst all this, Krysten Ritter’s Jessica gets positioned for a whole new life that makes a series three intriguing.
Luke Cage [3 stars]
One of the intriguing aspects of the Marvel series has been their different sensibilities and how they are melded together. Last series for Luke was distinct in its 70’s feel with an empowering take-back of black exploitation. It was full of jazz and funk and plenty of action and politics. This second go-round seems to be off-rhythm. The pacing drags and it is less smooth in the integration of music and feel. The entire first half to two-thirds of the series are set-up, but you spend a good part of that time frustrated with the characters and their choices. After that the payoff feels a bit blunted.
But it isn’t just the rhythm, it was the diminishing of the powerful women in the show that was so disturbing. Alfre Woodward was turned into a whining coward. Even Rosario Dawson comes across as an almost fawning second-fiddle to Luke while Simone Missick is, at best, erratic in her loyalties and choices. Michael Colton did manage to move Luke into a new phase of his hero’s journey…dripping with hubris, hell-bent for leather, and doomed for a fall…but it simply becomes painful at times watching obvious mistakes. The last chunk of the season found its feet a little better, but, even with the clever reversals, the characters are less than credible. The one subtle-ish theme I will give them props for is the game of thrones idea they are playing (and mirroring) right up till the finale.
Iron Fist [3.5 stars]
Like many, I was not impressed with the first season of this show. It had possibilities, but a weak lead in Finn Jones and weak writing generally. There were good things too, particularly Jessica Henwick and some of the cross-overs. But it wasn’t enough to make me happy. The series was only necessary as a bridge to The Defenders, so I took it like bitter medicine.
With series 2, Danny Rand’s testicles seem to have finally descended. In fact, I had to redo my title for this post which was originally Jessica, Luke, and Iron Weenie…he just didn’t deserve that slam. The whining is gone and there is a hero there who seems capable and able to succeed thanks to who he is, not despite it. Alice Eve was a great addition and had some serious fun with her character and challenges. And the continuation of Sacha Dhawan’s story to drive the series was necessary and, ultimately, interesting even if a bit forced.
And, while there is some nearly unforgivable comic book logic writing particularly around police work, they manage to pull off a great series and shift in the show, redeeming it from its freshman season. After this round, I’m actually looking forward to seeing these characters and their travails again, be it here or in the next series of The Defenders. They’ve really got some stuff to work with.