Let’s talk about POV. Like the recent Bliss, Florian Zeller’s freshman outing relies heavily on character point of view and editing to provide the necessary information for navigating the story. By watching very carefully, you can tease apart most of the truth. Most of it. Unlike Bliss, Zeller’s adaptation of his play, with help from Christopher Hampton (Adore), the truth can still elude you; but that’s ok. Unlike previous stories, like Still Alice, the film tries to recreate what it’s like to live with Alzheimer’s from the inside rather than primarily from outside. How they go about that is something you just need to experience, but to say you’ve got unreliable narrator is an understatement. But the threads are (mostly) there for the watcher to stay relatively grounded. Honestly, I’m still discussing it with people trying to pull it all apart.
Anthony Hopkins (The Two Popes) delivers a wonderfully mercurial performance as his character is buffeted by his confusion and frustration. But while he is the primary POV, his daughter provides a second, which is another way Zeller helps you along. Olivia Colman (The Favourite) delivers a heart-wrenching performance as she navigates her father’s illness, giving us glimpses into the emotional and physical realities and a small touch of what must have been their past.
The rest of the supporting cast is equally capable and storied. Olivia Williams (Maps to the Stars), Mark Gatiss (Locked Down), Rufus Sewell (The Pale Horse), and Imogen Poots (That Awkward Moment) perform a wonderfully seamless dance filling out the story.
This is also a movie where the production designer Peter Francis (Rocketman) and editor Yorgos Lamprinos have had huge impact on the story-telling and need to be called out. Pay attention to the details in the sets and how the sequences are put together. Truly amazing work all around.
My only issue with the film comes near the end where it felt a little forced and rushed. It isn’t necessarily an untrue depiction, but my gut is that the events could have remained while the dialogue could have been a little more finessed. That minor criticism aside, The Father has already garnered a lot of nominations and wins, with more sure to come. This is one movie who’s odd ride is worth every moment you spend with it, and it’s a wonderful class in perspective and humility.