Have you ever watched a film and thought: this would make a great play? Golden Exits definitely struck me as better suited to the stage than screen. It is full of long, introspective monologues that attempt to be-ever-so-insightful-and-clever about the world, but really just come across as pompous on screen. Director Alex Ross Perry guided his actors well, but his script for them was just ponderous and over-written for film.
Honestly, I knew little of the story going in. I checked this movie out for the cast, which had Emily Browning (God Help the Girl), Mary- Louise Parker (RED), and Chloë Sevigny (Lizzie) in major roles. In addition, Analeigh Tipton (Warm Bodies) and Lily Rabe (Pawn Sacrifice) add to the female pack. Each of these women had challenging paths to explore, even if the script rarely let them go very far with it. Mixed into their various struggles were Adam Horovitz (While We’re Young) and Jason Schwartzman (Big Eyes) who succeed and fail variously as partners and friends to those around them.
But there just isn’t anyone who is very sympathetic in this story. Some manage to do the right thing…eventually. But, primarily, they all muse about either doing the wrong thing or anything, as long as it’s different from what they’re doing now. The story is, essentially, how they manage to leave what they’ve got behind them, or at least start to. Basically, it is a very unsatisfying film with actors struggling to make mountains of text feel natural…or at least interesting enough that we don’t care that it is completely unnatural. Despite the cast and the game attempt, save yourself some time and find something else to take you on a journey of self-discovery.