Some writer/directors have a signature to their work; a flavor that identifies their efforts but that can be executed in many different ways. Justin Benson and Aaron Moorhead are such a pair. They have returned with another brainbender in Sychronic. Their previous couple of movies, Spring and The Endless, were solid proving grounds for pulling together this much more mature piece of film. They keep learning with each release how far they can push ideas and how much they can leave unexplained. They also managed to snag a talented cast to pull it off.
In the primary role, Anthony Mackie (Outside the Wire) drives the story. Mackie has had wide-ranging taste in his recent roles, but they’re always characters with an inner strength and sense of morality. Synchronic, despite its dark overtones, is no exception to that list. And, in this case, the script and story are actually a match for his efforts. Opposite him is Jamie Dornan (A Private War) who anchors the story, quite literally, for the drifting Mackie. The two long-time friends and co-workers butt heads but they are a solid pairing against the dark and seedy life of being New Orleans EMTs.
The story, like Moorhead and Benson’s previous offerings, slowly reveals itself, though not in a straight line. It teases and plays with you. And, more importantly, it tries to cover all its bases as it goes. We learn with the characters what the issues and possibilities are. And, in the end, we are left with a sense of wonderfully incomplete completeness that is sure to generate conversations while the credits roll. It also has to be called out that the cinematography and edits are in beautiful support of the story.
I wasn’t sure what Synchronic would be when I started it. And that is probably the best way to go into it. Just enjoy the ride. The road is dark, but the destination holds warm fire, friends, and family at the end, even if in unexpected ways.