Taste of Cherry (Ta’m e guilass)

You may recall that  I recently got to see another Iranian film, A Dragon Arrives!, and had mixed reactions. During the introduction to that film, this Palme d’Or co-winner was mentioned, so I decided to continue my understanding and education.

Up front, after watching it, I did look up the critical response to this movie. To say it was divisive is kind. Taste of Cherry is definitely a love it or hate it film. There is a particularly wonderful response by Roger Ebert. I also watched an interview with the director, Kiarostami, who is credited with altering the path and possibility of Iranian cinema with this offering (particularly its subject matter).

So, here’s the thing. Where this film falls apart for me is at the very end. Much like Dragon, it takes a wild left turn to either provide distance or make a point that was utterly lost on me. While I never expected an explicit ending, Kiarostami’s choice was frustrating at best. The lead up to the resolution is either a physical metaphor for the struggle of the main character or a long, drawn out and boring road trip movie on a circular track. Neither is a ringing endorsement, though the first option has a bit more resonance as a manifestation of the rumination involved in the man’s decision (which may be an unintended apologist’s remark).

After listening to the director and seeing the film, I can honestly say I don’t need to see another Kiarostami bit of cinema. From a purely cultural voyeuristic viewpoint, it certainly provides a window on a particular lawn to consider.

Taste of Cherry

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