The fourth, and last, series of this Swedish/Danish phenomenon goes out in style over eight episodes and with a feeling of completeness. The previous series had left Sofia Helin’s (The Divine Order) Saga in a precarious place; this series picks up a few months later. With her series three partner, Thure Lindhardt (The Borgias), the two assail a wonderfully complex mystery while also tackling their own demons. Helin’s performance continues to evolve and impress while Lindhardt really comes into his own this series.
The Bridge has always done its homework, even if it has pushed the limits of credibility at times. This most recent round is no exception. Through to the end they are getting things right, even when you think they’re getting them wrong. Series 4 will not disappoint anyone who has come to love and appreciate a storyline that has launched several copies and riffs (The Tunnel, The Bridge (US), etc), and helped open the door wide for more mysteries from its corner of the world.
I really give credit to the writers and producers who were willing to leave it on a high note rather than stretch it out until it lost its quality. That takes guts…but it also frees them up to give us new and different shows. Kudos and luck to them!