Did we really need to see Liam Neeson (Silence) kick a bunch of butt again? Is there really anything new to see here? Well, honestly, no, not much. No matter how well he sings his nice-guy-with-a-secret-past, it is a tired tune.
Of course, Neeson has to have an interesting villain to push against. Vera Farmiga (The Judge) provides a nicely cool opponent, but the script didn’t do her many favors. It is an incredulous set of circumstances and actions, however nicely tied up and pushed along with action and tension.
One fun surprise in casting was the brief appearance of Letitia Wright (Black Panther). Shazad Latif (Star Trek: Discovery) also has a small role. There are other supporting roles of note, particularly, Clara Lago, Jonathan Banks (Mudbound), Patrick Wilson (Young Adult), and Sam Neill (Thor: Ragnarok) but generally there are no standouts, just plot movers.
What is worth seeing in this movie is the opening 10 minutes or so of the the film. Director Jaume Collet-Serra’s (Non-Stop) first few minutes of the credits and action set up a tremendous amount about Neeson’s relationships, allowing Collet-Serra to focus the film on the plot, mystery, and action rather than backstory. Though for a rather different purpose (and not nearly as evocative) it is reminiscent of the brilliant opening of Up.
For a pure escapist, brain dead kind of evening, The Commuter is fine fare…and Neeson gets as much as he gives in this one. It isn’t groundbreaking, but it is well crafted and paced. There are some nice moments, and at least one forced “but wouldn’t it be nice if the world was this way” moments that you can see coming a mile off. But this movie shouldn’t be high on your list. Get to it if an when you have an urge.