I want to start with what is good with this story because, honestly, it is a film worth seeing even if it doesn’t accomplish what I’d have liked.
At the top of the positive aspects of the film is Hugh Jackman (The Greatest Showman) who delivers a solid performance as the idealistic Gary Hart. Vera Farmiga (Boundaries), as his wife, also tackles the challenge of her situation with a decidedly adult demeanor. The rest of the cast is solid, but none pop. Even J.K. Simmons (The Snowman), who normally stands out amid a crowd, just isn’t enough of a focus to make him memorable. This is mostly because the story is very focused on Hart and his family. The resulting story is neither a whitewash nor a vilification of Hart, Rice, or even most of the journos involved. Jason Reitman’s (Tully) direction keeps the story honest (even if the script misses the mark by a wide margin on making it’s point).
So let’s talk about what the movie missed. This moment in history was a seminal moment in politics and journalism, one from which we’ve never recovered. But the impact of that is never really achieved on screen. Recently, Vice laid out another aspect of the dismantling of objective journalism and the ending of the Fairness Doctrine. But it was only one aspect of the changes that have occurred. The story of Gary Hart is the other.
Front Runner never establishes what things were like before the moment the Miami Herald made Donna Rice a household name. There are brief conversations, but no real sense of the indelible change and the impact that has brought us to today. A day when there is absolutely no privacy and journalism, real journalism, is a dying skill…a skill who’s value is not even understood by a large portion of the public it used to serve. Worse, the highest offices in the land seem fit to claim open, honest, balanced journalism is “an enemy of the people.” Well, this is how it all really started. But without a clear touchstone for what it had been, it simply becomes a story we watch rather than comprehend.
With a well-documented serial philanderer in the White House, and blatant racists serving in Congress and state houses, it is easy to forget that politicians not only used to be held to a higher standard when confronted, but that any information on their private lives was not even considered germane only 35 years ago. Everything changed with the journalistic and self-destruction of Gary Hart.
Unfortunately, this movie didn’t quite capture that aspect. While there is still real investigative reporting out there, the larger group of news, print, and online are chasing entertainment or simply printing what they need to get eyeballs, regardless of the rigor behind the story or the veracity. And by doing so, they’ve often become the unwitting weapons of those they are trying to expose. And many readers have lost the ability to take in the information critically to pull apart fact from conjecture and opinion. They’d rather take their news in unverified tweets. In other words, the Fifth Estate is under siege from both within and without.
Think this is all hyperbole? Consider that just last week (blog time) Justice Clarence Thomas wrote an opinion suggesting that libel law protections for journalists and their papers put in place by New York Time vs Solomon should be overturned.
OK, rant over. As a movie Front Runner is definitely worth seeing. You may want to dig a bit more into the information to understand the context. This isn’t The Post, it is really more about the man than the implications. That was a legitimate choice, but not the more important one in my opinion.