Miranda July (Madeline’s Madeline) wrote, directed, and starred in this, her Sophomore feature outing a decade ago. She and Hamish Linklater (The Angriest Man in Brooklyn) are a pair of aimless adults not quite in the swing of life. They’re lost and broken rather than open to the world around them and enjoying their “freedom.” And therein lies the spark that leads them down separate and twisting paths that include, amongst others, a creepy and sort of sweet turn by David Warfshofsky and an early appearance by Isabella Acres (Scooby-Doo! Mystery Incorporated) who has an equally odd little character.
This isn’t a fast or intense tale. It unfolds inexorably. But every time the story was starting to lag or get uninteresting, July would throw in something new or surprising to help keep it going. In fact, the last third was a completely brave crapshoot that saved the flick for me.
I can’t honestly say I actually enjoyed the full result, nor that I entirely understood her full intent, but I did stick it out to see where she’d end up. As with many indie’s, this one gets rather metaphorical. I think it’s intended to be positive, but I didn’t really feel that way at the end. It isn’t that I haven’t used the same dark mirror to carry an uplifting intent or message, but the order of things at the end didn’t add up that way for me.
If you’re looking for something a little different, a little quiet, but handled with some care, this may do you. It has romantic themes, but it is far from Romance. This is more a story of finding yourself and being open to what’s around you in a real way, not a reactive one. How you respond to it will depend a great deal on your own experiences and where you are in life now.