Watching Glass Castle, I couldn’t help but view it as a dark reflection of Captain Fantastic. Both tackle similar kinds of family, but Glass Castle is less simple and more realistic, which shouldn’t be a surprise as it is based on Jeannette Wall’s real life.
Some excellent performances make this film solid. Woody Harrelson (Wilson), Brie Larson (Free Fire) and Ella Anderson (Mother’s Day), as Larson’s younger self, are the real standouts. Naomi Watts (3 Generations) has some moments, but her character is mutable and not easy to understand which diminished the performance for me.
Destin Daniel Cretton (Short Term 12) tackled the story as director and co-writer in a clever way. He used a lot of flashback; not because it was easy but because it removed a host of expectations about where the story would go. Told in order, you’d be expecting tragedy over and over. It isn’t an easy story of growing up, but if you believe the people telling the tale, tragedy isn’t the point nor the outcome. And that is the issue for me, performances and flimmaking aside.
The end implies a forgiveness I’m not sure the people earned, even though the post-film footage makes it clear that it is what occurred. So this is either a testament to the strength of people, and children in particular, or is suggestion that anything can be and should be forgiven. I don’t know if I can get behind that sentiment. You certainly need to get past aspects of life, but that doesn’t mean you forgive or stay involved with those that created the bad situation. To Cretton ‘s credit, you want to buy into that choice, making this a challenging tale from a good filmmaker. For that, and the performances, it is worth the time. And it is certainly a fascinating look into humanity and our own individual choices.