Sam Elliot (Grandma) is a fixture of the last many (many) decades, probably much to his joy and chagrin. There is more than a little of him in this quiet rumination that uses film and celebrity as metaphors for life. And he is, as always, a quiet force on screen in that commanding way and with his signature deep, rumbling voice.
While this is very much a movie centered on a man, there are two notable female performances. Laura Prepon (The Girl on the Train) actually manages to steal scenes from Elliott by force of charisma alone. She has always been an intense personality and this is no exception. And, as always, she uses her chops and ability to deliver a complex character, even if there is little there to work from. Along with Prepon was a surprisingly vulnerable turn by Krysten Ritter that couldn’t be farther from her breakout Jessica Jones. This Ritter is meek and tenderly broken, despite her hostile demeanor.
After their collaboration on I’ll See You in My Dreams, Brett Haley and Marc Basch teamed up again with Haley back at the helm. In some ways, this is the reverse view of that previous story, at least in gender perspective. It is also a bit more successful overall. The two creatives make a great team and I look forward to what they produce next given their growth with each film.