A delightfully weird, wonderful, and often unpredictable comedy cum drawing room mystery. Based on a Stephen Fry (Love & Friendship) novel, you can be sure it is irreverent and witty with a keen social eye and few boundaries. It attacks art, society, family, and religion with equal and unapologetic measure, but with an oddly optimistic sensibility to the human condition. Oh, and it’s funny. Very funny.
Roger Allam (The Lady in the Van), in a send-up of Fry’s own persona, leads the story as the critical observer and assigned debunker of certain “events.” He carries the broad comedy and erudite demeanor beautifully.
Along with Allam are a host of players. Of note are Emily Berrington (Humans), Fiona Shaw (Emerald City), Tim McInnerny (Eddie the Eagle), and Tommy Knight (Sarah Jane Adventures). They are far from alone, but they were the stand-outs for me.
The dialogue is delightful, the satire sharp, and the humanity, ultimately, bruised, vulnerable, and triumphant in its way. It is definitely dark comedy, but with a beating heart. You’ll know early on if it is a movie for you, so you don’t have much to lose by giving it 10 minutes to convince you. I had a great time with it and look forward to watching it again as I’m sure I missed some great exchanges because I was still laughing at others.
As a side note, there is a serious sort of critical overtone to the tale, despite all the amusement. It is indicated in the title (from a TS Eliot poem), a reference made clear in the opening, but still required some look-up to fully appreciate. With or without that additional layer, the movie is far from vague and the result very entertaining.