Some films are good by themselves and some acquire additional greatness in the context of an entire opus. Martin Scrosese’s Irishman is definitely in the latter group; a masterpiece of epic storytelling that stands alone, but is also a reflection of his entire past. It presents a huge canvas and expansive story that is, at its heart (and to its success), a very simple tale. But as a piece of his entire canon, Irishman resonates both with humor and across time. It takes the harsh and frenetic world of Goodfellas and blends it with with tense normality of Raging Bull to come up with charged banality that occasionally explodes with moments, but is simply a tale of life.
Scorsese’s shaping and moulding of Steven Zaillian’s (The Girl with the Dragon Tattoo) script is a wonder to watch. The script disappears and the story, though it crosses decades, reamains easy and interesting to follow through its 3.5 hours. There are many clever milemarkers across the years, from fashion to historic events to movie titles. And, through it all, the growth and shift of the characters.
Robert De Niro (Joker) is at the center of it all. It is his story we experience; the world through his eyes. Joe Pesci (Love Ranch) and Al Pacino (Danny Collins) create the additional focal points of the tension in the story as the three men each exert influence. There are dozens of other great smaller roles, some nearly silent such as Anna Paquin’s (Furlough) powerful turn as De Niro’s daughter.
This is definitely in contention for Scorsese’s best so far. His control of the scope, the handling of the performances, and the execution of the final edit are all lessons in brilliance. He manages to infer much more than is ever there, avoiding a lot (though not all) of the extreme violence in his previous movies about organized crime. And that is probably its greatest aspect of success. All of those issues and ideas are there, but they aren’t the focus despite the purile allure it might have exerted on lesser directors.
Irishman is also a showcase for technology, particularly de-aging, in a way that is jaw-dropping. Robert De Niro and Joe Pesci evolve through decades, though often in counter to their current realities. But, if you didn’t know that, you’d never spot the fantasy the digital work and make-up have wrought.
The Irishman, despite all the hoopla and arguments over its theatrical release versus streaming, or Scorsese’s narrow minded thinking about modern stories, such as superheroes, and despite its lack of diverstity (in large part due to the realities of the subjects and era), is a new and instant classic. Find a day to carve out the hours needed and tuck in for a great ride.