Limehouse is a tense and complicated period mystery; a wonderful, precise, dark gem of a movie.
Olivia Cooke (Me and Earl and the Dying Girl) leads this twisting tale with character-appropriate confidence and acting ability. By her side, Bill Nighy (Their Finest) pulls at the threads of his open case and imagines the possibilities in an effort to solve the murders and save the girl in 1880 London. Sprinkled within the fictional are real-life characters who were in the Limehouse at this time in history, which adds some sense of reality to the tapestry of the film world.
Central to the story in tale and geography is a music hall dominated by Douglas Booth (Jupiter Ascending). His character, even from the wings (as it were), is an overshadowing presence that has him driving the film in his own right, even getting the opening and closing frames. Additionally, Sam Reid (2:22), and María Valverde (Exodus: Gods and Kings) play integral, if slightly less layered roles.
Two smaller characters are given quiet life by Daniel Mays (Against the Law) and Eddie Marsan (Atomic Blonde). These two actors are always great at making the most of small moments and minimal dialogue, and this movie is no exception.
One of the best parts of this film is the script, which has a strong female lead and an unconventional narrative. Jane Goldman (Miss Peregrine’s School for Peculiar Children) was on task to adapt this script from Peter Ackroyd’s book; the title of which is variously The Limehouse Golem, Dan Leno and the Limehouse Golem (a reference to Booth’s character), and The Trial of Elizabeth Cree (a reference to Cooke’s character). That it has existed with so many different titles gives you a sense of how much she had her work cut out for her. With Goldman’s history of delivering some of the most delightfully odd films of the last 20 years, she was a perfect choice to tackle this project. And director Juan Carlos Medina showed himself well with this Sophomore feature as it bounced between different themes, plots, and timelines.
Make time for this mystery. It will keep your brain going and engage you from the moment it begins. And while the surface story is wonderful, it is only one of the layers of this film, and only one of the ways to approach your understanding of the movie which is dense in meaning and language, making it eminently rewatchable.