So often, tales like this become overwrought or overplayed. But this film really tries to keep it all contained, much like the exhausted relationship of the main characters that has reached a failure (as opposed to a breaking) point. Debra Winger (The Ranch) and Tracy Letts (August: Osage County) turn in wonderfully understated and nuanced performances in what is really an odd and amusing farce about love.
In fact the only people who over-react in the film are the supporting characters: Aidan Gillen (Sing Street), Melora Walters (Big Love), and Tyler Ross (The Killing). There is also a nicely balanced turn by Jessica Sula (Split).
Writer/director Azazel Jacobs (Doll & Em) really captured the age and sensibility of a long-term relationship that has drifted. More importantly, he did all of this without a syrupy sense of reality. He has a sense of the absurd, as does life, but he stays grounded in reality and honest to the story.
I wasn’t really sure what to expect when I started watching the film, which way it would go and whether or not I’d even like the characters. But every one of them manages to gain just a bit of your sympathy, though not a lot in some cases. And the structure of the story is in itself a fun piece of commentary. I suspect it makes more sense the older you are, but the performances alone are really worth your time.