The Rhythm Section

[3 stars]

As a follow-up to his quirky I Think We’re Alone Now, director Reed Morano brought us this contemplative actioner. That may seem a contradiction in terms…and it sort of is…but he stuck to his intent throughout, and I give him props for that. But it does make for a slow kind of assassin film. Think The Tourist rather than Taken or even Atomic Blonde.

Since Gloria proved it was possible, the number of tough female killers has been multiplying; particularly lately. They aren’t all home runs, but it is great to see so many more female driven actioners these days. Blake Lively (A Simple Favor) tackles the role with intensity and humility. It is, in some ways, reminiscent of Cameron Diaz’s turn in Being John Malkovich, when she allowed herself to be, well, completely unattractive in order to serve the part and movie. But, unlike Diaz, Lively drives this movie.

Jude Law (Vox Lux) and Sterling K. Brown (Waves) provide the higher profile support to Lively. Law is actually surprisingly credible in his role. Brown is as well, but it is less of a stretch role for him.

The real challenge for this movie was it’s script by first-timer Mark Burnell, who adapted his own novel for this outing. The story itself isn’t quite credible, though it is also clear it is intended as an origin story for a potential franchise; not one that will probably ever get made given movie’s results. And, more importantly, Burnell couldn’t let go of the internal dialogue moments from his book. The script lingers over Lively’s past long after it was necessary anymore to establish motive and struggles. Basically, he shouldn’t have adapted his own book…and Morano should have been more brutal during the edit. Had the movie been about 20 minutes shorter, its pacing might have pulled it together better.

It isn’t that I don’t want depth in my action leads, but this movie kept repeating the same moments and footage. Those efforts added nothing that a brief moment on a good actor’s face wouldn’t have been able to convey. And Morano had good actors in the leads.

So the short answer to this movie is that it is good, but slow, entertainment. The path and results of the adventure are somewhat easy to get ahead of, thanks again to the pacing, but the resolution is satisfying. If you’re looking for another female led story with a woman who is, ultimately, in control, you could do worse. I just wish it had been a bit tighter to energize it more.

The Rhythm Section Poster

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