A beautiful period creature tale or simply a wonderful love story, either way this film is like a warm hug on screen. And I say this despite some of the uglier sides of the period being unequivocally shown, not to mention the obvious nods to our current culture. It is both clear-eyed and well timed as a reminder of how things were and how they have been going.
Sally Hawkins (Maudie) is captivating as Elisa, and she manages it with nary a spoken word. Richard Jenkins (Kong: Skull Island) is heartbreakingly wonderful as well. Even Michael Stuhlbarg (Miss Sloane) gets to put on a (mostly) good face for a change, and delivers a nicely nuanced character. Only Michael Shannon (Nocturnal Animals) is stuck with cliche, and even he gets to add some uniqueness to it all.
This film also marks the opportunity for Doug Jones (Star Trek: Discovery) to expand on his Abe Sapien role from the Hellboy series. Abe is a character that has always deserved his own story. Though this is not that tale, it feels like a satisfying exploration and conclusion given that Del Toro will not be completing his trilogy. And, ultimately, you won’t even see the creature suit. Without speaking a word, Jones lets you see the “person” inside the skin of his character.
Supporting the story, Octavia Spencer (Hidden Figures) does a great job as well. Though not her best role, it is full of detail, humor, and bite. Smaller roles by Morgan Kelly (Killjoys), David Hewlett (Stargate: Atlantis), and Nigel Bennett are some of the more notable other appearances.
Guillermo Del Toro (The Devil’s Backbone) has always been a story teller with a particular vision. Each of his tales is unique, but they all bear his signature in look and feel. Shape is no exception in that regard. It is a luscious production suffused with light and corridors and odd but human characters. He loves humanity and has a strange, dark optimism about us as a culture and a species. Or maybe he’s just a hopeless romantic, as this tale of otherness finding love may attest.
See this on the big screen. It has amazing production values and excellent sound. Let it make a hopeless romantic of you as well.
Warning: Spoiler Follows
My only gripe with this incredible film is that I knew exactly where the film ended just as it began. It was a bad choice and could have been easily covered if I’d only seen one side of Hawkins’s neck rather than both. It isn’t that you don’t know where it is all going anyway, so it isn’t a huge loss, but I would have loved that Aha! moment that I heard in gasps around me at the theater. Instead, I had been waiting almost 2 hours to see it play out. I’m looking forward to seeing the film again so I can let go of the anticipation and just fully enjoy the ride.