What could have been a really solid science fiction romance in the vein of The Martian meets (pick any teen romance), ends up as a sweet film with no teeth that leaves adults in the dust. I so wanted this to be more than it was.
Britt Robertson (Tomorrowland) and Asa Butterfield (Miss Peregrine’s School for Peculiar Children) play your typical young couple separated by circumstances and, literally, the world who find each other. Both are strong actors. Both do what they can with the script they are provided, but neither is overly deep or realistic because the story just isn’t. Despite that, they both make their characters feel real, within that limitation.
The two primary adults in the film have their own journeys to navigate, but the movie doesn’t really give them the space they need either. Carla Gugino (San Andreas) delivers what she has to, though she ends up sort of hollow due to a lack of script and screen time. And Gary Oldman (Léon: The Professional) was just off in this role. His reactions were far too broad and obvious for me. He is usually an actor of such great power, and in this he is a fragile and uncontrolled mess as an actor. His performance is within the bounds of the sense of the story, but that is another problem.
Director, Peter Chelsom (Hector and the Search for Happiness) shook what he could from the movie. I think he could have exerted a stronger hand over several moments to keep them from going as large as they did, but he generally kept the main relationship at an even and digestible tenor. The real problem was the script… which you may have picked up on by now.
I wish Space had included some of the craft and complexity that Loeb’s other recent screenplay, Collateral Beauty, had contained. I could even give Loeb and his co-writers a break on the utterly absurd faster-than-light communication if he hadn’t also blown other major science issues. You’re only allowed one big lie per story. More than that and your audience notices and starts to get annoyed, even if they don’t know why. The story was also massively inconsistent in what Butterfield’s character knows or has been exposed to. This tale had a lot of potential, but little of it was realized because the script writers thought that their audience wouldn’t notice the difference, which was a mistake. Just as I would get engaged with the characters, another silly assertion would arise and I’d have to take a breath and consciously ignore the stupidity. Sort of breaks your rhythm as a viewer.
Ultimately, this is a film that will appeal to a younger audience and, in fact, they may enjoy it a great deal as they tend to be more forgiving as long as the main characters are engaging. But even as a metaphor or allegory, adults will be challenged by some of the logic and lack of depth. At least watching Robertson and Butterfield work is always rewarding. The two are growing up to be very capable actors and will be around a long time if they can negotiate their transitions to fully adult roles. They are certainly on the right track… they just have to get their managers to pick better scripts for them.