So, why is a nice Jewish boy like me watching a movie about the papacy? Well, honestly, I only turn it on because of the buzz around the script and Jonathan Pryce’s (The Man Who Killed Don Quixote) performance. OK, and a bit of curiosity.
I have to admit, Anthony McCarten’s (Bohemian Rhapsody) script is an unexpected delight, which Fernando Meirelles (Constant Gardner) brought to life with both gravitas and a sense of humor. The result is a 2-person play with Anthony Hopkins (Lear) that unwinds as a personal and philosophical debate on the purpose of the Church in life. Except, it isn’t as dry as all that.
However, as much I enjoyed the give and take, and the story, I did have to wonder at the purpose of the piece overall. It comes off as both an apologia and advertisement for both Popes. I can’t say I was entirely comfortable with that effect on either side. Perhaps I am observing it a little more clinically, given my perspective, but art is always lensed through the observer so what can I say?
Well, I can say that I laughed out loud…a lot. And I learned about both men as well as got a sense of appreciation for their positions. It is certainly an entertaining and interesting couple hours, and likely not at all what you expect before turning it on.
You’ll be hearing a lot of about this film during this awards season, so take the gamble and start it up; you can always bail out if it doesn’t grab you. But I have to warn you, it had me at the first scene and I suspect it will have you too.