Without planning, there were two time travel/paradox stories that hit my plate this week. One was quite good. The other was interesting, but more as a logic experiment than as a quality entertainment.
Let’s face it, a good time travel story is hard to find. So often it is simply a trope to tell another story. But stories that really think it all through…or as much as possible as paradoxes inevitably create challenges…are rare and fun to find. Predestination, Timecrimes, or even Terminator: Genisys were the last movie attempts to do this well that I’ve seen. And no one has managed to top Looper yet on screen (or Blink on the small screen). Still, at least both of these new offerings make time travel integral to the plot.
I’ll Follow You Down [3 stars]
This movie has its issues, but it definitely has some solid thinking in it that allows me to recommend it.
In addition to the good story, it also has a good cast. Rufus Sewell (Dangerous Beauty, The Man in the High Castle) and Gillian Anderson (Crooked House) catch attention as the parents to Haley Joel Osment (Tusk). Osment is the real lead in this tale, with some nice support by Victor Garber (Sicario) and Susanna Fournier (Being Human (US)). Osment has some great moments, but his performance is uneven and, at times, forced or false. There are plot moments that just clunk like a tin can rolling down stairs. But they are just moments in the midst of some solid acting and well considered issues.
Absent that roller-coaster of belief, I’ll Follow You Down would have been great instead of just good. Director/writer Richie Mehta (Delhli Crime) has certainly peaked my curiosity to see what may come next in his opus. And if you like movies with a bit of intellect behind them, this one pays off nicely.
Excursion [2.5 stars]
Martin Grof’s first feature as writer and director is loaded with ideas. Unfortunately these ideas are often discussed at length by the characters rather than showing us or just trusting the audience. It is primarily a political diatribe blended with a bit of black humor and clever historical revisionism.
To make this kind of script and story work, though, you need a very talented cast. This cast isn’t really up to the task. Other than Johnny Mindlin and Jeryl Burgess, they are often stiff and completely without credibility. And even these two bright spots for naturalism are a little forced at times.
As a curio, this is interesting. Not brilliant, but interesting. However, save it for a time when you’ve nothing else and about 80 minutes to spare. You may find the approach more engaging than I did.