YAR (yet another remake). Which isn’t to say it is bad, it isn’t. In fact they took their charge seriously and tried to make a relatively good movie that hewed to the original material, sort of. To separate it from the previous films, Alicia Vikander (Tulip Fever) gives us a younger, more vulnerable Lara Croft. She is a woman who has to come into her own during the story rather than the fully established inheritor of her father’s wealth and lifestyle from the start. And Vikander is impressively up to the task both physically and with emotional chops. They make sure you understand and believe that from the top.
As her father, Dominic West (The Square) also does a credible job, though with a slightly more exaggerated sensibility. Similarly for Walton Goggins (Maze Runner: The Death Cure), who has to walk the line of mustache twirler, father, and slightly bonkers villain. Neither is completely realistic, but by the point in the story they show up, Lara’s deep into the fantastical world she will inhabit the rest of her life.
Three supporting roles were worth noting as well: Daniel Wu (Warcraft, Into the Badlands), Kristin Scott Thomas (The Darkest Hour), and Derek Jacobi (Last Tango in Halifax, Murder on the Orient Express). Ok the last simply because it was Jacobi…he doesn’t really get to do much, but I always enjoy his work.
Director Roar Uthaug (The Wave), and his rather untried script writers Robertson-Dowert and Siddons, took their time to build a story and world for Croft to inhabit and to give her artifact-hunting motivations beyond some internal sense of guilt or nobelesse oblige. Uthaug mostly kept it all realistic in effort and response. Lara gets hurt. A lot. In fact she grunts more than Steffi Graff during a finals match. However, in the quest for reality, the script also leaves out some of the more interesting aspects of Croft’s world. I appreciated how they grounded the plot, but I like a bit more fantasy with my pony-tailed heroine.
There is a ton of action to keep this all going. There is even some humor and just enough emotion to tie it together. Personally, I prefer the more established Lara over this rite-of-passage version that will lead to her. It really depends on whether you want to see a super hero kind of film or something more grounded. This film skirts the edge of both. You’ll have fun, but since it isn’t likely to spawn a franchise, it feels a bit less satisfying as a stand-alone. Also, I’d recommend not seeing the larger format screens. There is a good deal of shakey-cam (used for purpose) that I always find annoying and difficult to watch on that size screen.
I don’t mean to damn with feint praise, but I did want a bit more than I got even as I was surprised by how well it was all done. I will admit, it may have been more my expectations than what was delivered, but this is a well-established character, so I can’t be the only one with assumptions. Should a miracle occur and they continue the franchise, this is a solid world and character start, if not an Iron Man-style blowout.