Angering, funny, and terrifying. Aaron Sorkin (Molly’s Game) chose the last time in the modern age that our democracy balanced on a knife edge to both instruct and provide hope for the times we’re in now. We got through it back then, afterall. The system ultimately worked despite every effort to subvert and abuse it. And while I recognize that as a false equivalency as the system itself has been undermined massively over the last 12 years, it isn’t entirely without merit as an argument. It certainly is a reminder of responsibility and where the power of the government lies.
And yet, I will admit that I’d avoided this story afraid of having to deal with the frustration of the reality it depicts. And, yes, I was tense with anger and frustration for a good part of the movie. But Sorkin punctuates the tension with some well barbed humor and glimmers of humanity to keep it moving along. He also landed some amazing talent to recreate those involved.
As a whole the cast is truly fantastic and wonderful at representing their historical counterparts. But there were a few standouts. Sacha Baron Cohen (Alice Through the Looking Glass) as Abbie Hoffman is chief amongst those. Mark Rylance (Blitz) and Eddie Redmayne (Fantastic Beasts: The Crimes of Grindelwald) are close behind along with John Carroll Lynch (Big Sky). And, in a purposefully incidental role, Yahya Abdul-Mateen II (Aquaman) quietly and righteously froths with intelligence and fury on the periphery.
On the other side of the aisle, Joseph Gordon-Levitt (Project Power) and Frank Langella (The Time Being) are impressive to watch, but neither really gets much of an arc to work with. Even Gordon-Levitt, who gets a few important moments, doesn’t really get to exploit or explore them for us in any fully satisfying way. But without either of them, the rest of the story would have sagged and the truth would have been less richly displayed.
With Jan 20 just around the corner, the movie is also a lot more palatable than it was two months ago…though also with a reminder that democracy is something we have to constantly nurture. This movie is heavy with history, but it is also full of entertainment to help put it all in perspective. That is Sorkin’s genius as a writer and, now with this sophomore outing, also as a director. Trial is not an anti-government film. It’s a story of what happens when the government forgets that it works for the people, not the other way around.