Alan Ball (True Blood, Six Feet Under) tackles the-truth-in-the-quirky like Aaron Sorkin tackles the-poetic-in-the-mundane. His string of shows and movies all focus on characters, and the beauty and tragedy of life. This outing, literally and figuratively, he tackles the late 1960s life in NYC and rural South Carolina. Two venues that couldn’t be more different then, or today.
But, as always with Ball, part of what makes his stories work is the incredible talent he gets to inhabit those characters. While the story is about Frank, the title clues you into the point of view, which is led by Sophia Lillis (I Am Not Okay With This) as Frank’s niece. Lillis, again, proves she is not only up to the task of a lead, but is capable of wonderful and subtle emotional range. Her family, including Frank played by Paul Bettany (Avengers: Endgame), all orbit around her axis.
Which isn’t to say they are minor or side characters, it is simply that she is the spine around which the whole tale depends. It is her story into which they feed. And it’s a story many will relate to, directly or indirectly. The family is filled out by the likes of Steve Zahn (War for the Planet of the Apes), Margot Martindale (The Hollars), Stephen Root (On the Basis of Sex), and Judy Greer (Halloween).
Completing the cast, in what is one of the most complicated and challenging roles, is Peter Macdissi (Towelhead). Bettany and Macdissi have an easy give and take amid the sturm and drang of their lives. But with little explanation, their history feels obvious and real. And their love for one another is equally palpable.
While this is a story of secrets, they aren’t secrets for the audience, generally. The big things are all obvious. It’s how Lillis’s Beth becomes awakened by them, how she grows and changes because of them, and how she learns to see and appreciate things for what they are rather than how she elevated them. In other words, it’s a tale of growing into adulthood and learning to accept yourself and those around you for who they are. It may be a bitter-sweet journey, but this isn’t a tragedy; it’s a heart-warming tale of struggle and triumph. And one I do highly recommend.