Bottom line: It’s not bad, but it’s so not Marvel Studios.
When Sony last attempted to bring Venom to screen it was one of Sam Rami’s misfires: Spider-Man 3. Their record hasn’t been the best with this universe from there forward (Spider-Man: Homecoming is really a Marvel film, so that doesn’t count). So, needless to say, I went into this movie with concerns but with an open mind and hope. There are some good aspects to what they delivered, but overall it is full of short cuts, almost unwatchable fight scenes (especially on IMAX), and comic-book logic full of science and plot holes, not to mention bad character choices. At only about 90 minutes of story (and 18 of credits) they didn’t take the time the story deserved. Entertaining? Sure, but not brilliant.
Despite this being a tent-pole flick, the entire movie spins around only three characters. Tom Hardy (The Revenant) toplines. He brings an interesting aspect to Eddie, but he isn’t very credible as a star investigative reporter. There is something just a bit dim about Hardy’s portrayal and the story has him just a bit too reckless to have gotten to such a height in his career.
Michelle Williams (I Feel Pretty) character holds her own better and has a bit more built in to make us respect her. Is she tough and judgmental? Yes, but with cause and she is anything but dumb.
On the other side of the coin is Riz Ahmed (Una), who presents a particular kind of sociopath impressively. He is a chameleon at the edge of social norms and, at this point in his life, often unconcerned about wearing his mask of normality. It isn’t a mustache twirling lord of evil, but he does borderline the geography. And, of course, it becomes a heavy-handed metaphor for the story.
A few smaller roles add to the mix, in particular Jenny Slate (Gifted). And, of course, there is the small cameo of Wood Harrelson (Shock and Awe) to hint at things to come. For the sharp eye, there is also Michelle Lee (Altered Carbon) floating around for a while.
Primarily used to TV, director Ruben Fleischer (Zombieland) has had mixed success on the big screen. Despite its record opening, I don’t think this is setting him apart. The script, though co-written by the Jumanji: Welcome to the Jungle team, Jeff Pinkner and Scott Rosenberg, along with Kelly Marcel (Saving Mr. Banks), doesn’t really capitalize on any of their talents fully and devolves into easy things from the genre rather than breaking new ground or showing us something new. In fact, Venom doesn’t even acknowledge the rest of the MCU…no Spider-man, no Avengers, no aliens and alien tech. It is completely stand-alone and isolated, which just feels weird given Homecoming and the other 17 films that have built out that world.
Sony may have been mostly responsible for the comic-book Renaissance on screen thanks to the Rami trilogy they had the guts and vision to produce, but they’ve yet to learn how to do it well. The fear is that they will drive the Spidey universe into the ground yet again. And, given what they have planned on slate for the next several years, it is almost a guarantee. They are rushing to monetize the success of their partnership with Marvel without understanding why and how what they did with them worked. I will grant them the acting talent in the popcorner, they just have to get better scripts and someone solid to run the franchise with a longer vision.
All that said, this is a 90 minute romp with some good moments and some nice humor. It is far too short for an origin film of this complexity, but if you don’t care about the longevity of the series, it will probably do. I don’t suggest IMAX as it didn’t add much and some of the filming is too tight for the format.