A deep and disturbing look at growing up and how much children pick up from their parents. But this story never quite goes where you expect it to, keeping what could have been an overwhelming drudge something darkly magical.
The three leads, Evan Rosado, Josiah Gabriel, and Isaiah Kristian work beautifully together as free-range sibs. Only Gabriel had any previous credits, but they all come across as natural and with a sense of craft. The story is primarily from Rosado’s point of view, but without his onscreen brothers, the story wouldn’t have worked.
In a supporting, but brutal role, Sheila Vand (A Girl Walks Home Alone at Night) gives us a mother surviving and loving while stumbling through life. Likewise, as their father, Raúl Castillo (Atypical) delivers an honest, destructive, and somehow still loving role model. Neither parent is going to win awards, but neither is so devoid of love and compassion as to be utterly evil in our eyes. That complexity is part of what sets this story apart.
In his first feature, Jeremiah Zagar drew on his documentarian roots in directing and co-writing this adaptation. He creates an atmosphere that is part Florida Project, part Kings of Summer, and maybe a dash of the atmosphere of Moonlight. It is deliberate and nearly poetic as it follows the three brothers through their days and lives over the period of about a year. It also managed to stack up a number of awards.
Honestly, this isn’t an easy film to watch. It is emotionally challenging and it flows at a low energy, allowing everything to feel very natural (which can border on naturally boring). But it pulls you along inexorably to the final moments. While it isn’t an entirely dark and depressing story, do save it for a night of catharsis or when you’re already feeling well centered. But see it for Zagar’s efforts and the performances, all of which will have an impact.