Benh Zeitlin (Beasts of the Southern Wild) is not only a gifted storyteller and filmmaker, he is incredibly astute at finding young talent. And while this second feature didn’t get the same kind of attention his first movie did, his abilities are on raw display.
The story, by Zeitlin and his sister Eliza, is a clever retelling of Peter Pan evoking, yet again, their Louisiana roots. The story takes the fantasy and and the desire to never grow up and makes it even more magical that the original Barry tale in some ways.
Part of that success is down to new-comers Devin France and Yashua Mack, in the roles of Wendy and Peter. They are near spooky in their ability to be both children and to seem to carry the wisdom of years behind their eyes. Some of that is, no doubt, Zeitlin’s ability to direct them, but much is their own innate talents.
The film is fluid and unexpected in the way it deals with reality. It provides a framework, but not many answers. And, ultimately, it lands on a joyous metaphor that is both positive and bitter-sweet. The largest failing of the story is it’s climax, mirroring “clap if you believe in fairies.” It is a moment that will work for most audiences, but which I found distancing and demanding in a way that was not embracing. It threw me out of the flick entirely in a very bad way. I understand the choice and assumptions, but it was a shame, after so much else before and after that moment worked, that he and his sister couldn’t see the issue they had tripped on with their choice.
That aside, the movie and its ideas are really special. Zeitlin continues to be a filmmaker to watch, with a unique and powerful vision of the world and an ability to nurture talent that might otherwise go missed.