I wanted to like this more than I did. It is funny and distracting, but, for me, the humor was just a little too stretched at times. Over and over again, just as I would invest and believe, the characters would fall into broad slapstick and lose credibility. That doesn’t mean it wasn’t funny, or even poignant at times, but it lacked consistency and an over-all believability.
Taraji P. Henson (Ralph Breaks the Internet) gives a fine comedic and emotional performance, backed by Aldis Hodge (Jack Reacher: Never Go Back), Josh Brener (The Front Runner), Max Greenfield (Hello, My Name is Doris). And with ultimately throw-away performances by Jason Jones and Kellan Lutz (The Expendables 3), there are a lot of avenues to travel. However, despite the female empowerment message, and even plotting, you’ll notice that the cast is dominated by men rather than women. There are female characters, Erykah Badu in particular, but it is the men that stand-out around here. Some of that is the focus of the story…it is the men’s heads she’s focused on…but it’s far from a woman’s movie (like Sex and the City or even Mama Mia!); it is more a comedy for women than about them.
Director Adam Shankman (Hairspray) is no stranger to outlandish comedy. This movie, however, slips in and out of that sensibility rather than holding onto an approach. The effect is like being whipsawed on a roller-coaster as the transitions are abrupt from scene to scene rather than eased into and out of, generally. I had fun, but this isn’t a new classic comedy, or even one I’d likely go back to watch again, because it just isn’t that smoothly done. Once the jokes are delivered and the message complete, there isn’t much left there to return to. See it once and laugh with someone, but then you can confidently forget it and move on to the next empty comedy.